JON PAUL GALLERY

Joshua Trees & The High Sierras

After a few days creating images in Death Valley National Park, my friend (and fellow photographer) Christian Fleury, and I ventured out of the park and into the desert for one final photographic opportunity. I was enamored with the starkness of the desert and wanted to share the feeling of vastness. I knew black and white film was a natural choice for the mood I was trying to convey, and the amazing cloud display begged for a this classic look.  I chose my 6×17cm film format for the wide view that accentuated the expanse of the desert. The widely spread Joshua trees growing in the sand redefined the traditional vision of “forest”. The wispy clouds danced overhead, celebrating the openness of this wild place. The mighty Sierra Nevada Mountains in the distance pulled the scene together. I truly felt the mood of this location, and reveled in the artistic process of choosing how to visually interpret, compose and capture this image. If I had taken a modern approach of shooting hundreds of frames in color, weeding through them on the computer, and finally deciding “how the image should look”, I would have lost the mood and message I wanted to convey.  As an artist in nature, I enjoy taking the responsibility of choosing my final vision while in the field. It is very gratifying to have that vision come to fruition through that initial emotion, successful choices, and an individual capture. That is the art I enjoy. Enjoy the View!

Photo Tip:
Slow down and trust your feelings. In a fast digital world, it is easy to get caught up in the whole mindset of not wanting to miss anything. Note that this is a human nature & societal problem, not a digital problem. The issue becomes a lack of focus on what is moving us and drawing us to the subject we want to photograph. In a familiar location near home, try the old method of giving yourself just one sheet of film (or one last spot on the memory card:) ). Observe what you are drawn to and take the time to conceive of the expected light, choose the composition carefully, clean up those edges, refine the focal length, pick the optimal camera position, carefully select the exposure, use solid technique with your tripod, cable release, etc. Make this one exposure important relative to what it makes you feel, and what it might communicate to a viewer. Enjoy the process, and take control of your art. Don’t go home with hundreds, or even thousands of images wondering if you may hove gotten anything. This practice will build your confidence in your skills, refine your artistic eye, and enable you to create a higher percentage of “successful images” in the future.

Equipment used:
Canham 5×7 metal field camera, Canham 6×17cm roll film back,  Caltar II-n (Rodenstock) 90mm lens, Gitzo 1325 Carbon Tripod, Really Right Stuff BH-55 Ball Head, Acros 100 black and white film, Singh Ray LB Warming Polarizer, Red Filter.

Bison Portrait, Yellowstone National Park

Most of my images are produced using feeling and emotion. My strongest images “just felt right” when I took them. This image, a portrait of a lone Bison bull wandering the open grassland in Yellowstone National Park, had that feeling. I had just taught a seminar in Grand Teton National Park and chose to take a longer route home, giving myself the opportunity to spend an evening in West Yellowstone. I was glad to be in such a secluded location, I was glad to be alone with my thoughts and emotions, I was enjoying the simplicity of being away. When this Bison wandered along, solitary, powerful, just being, I felt priveledged to share that time with him. This portrait symbolizes the power it takes to be strong, self reliant, alone and in the wild. Our wild spaces, and the creatures that inhabit them, do more than just create a healthy balanced ecosystem (which is very important); they are symbols of the strength and power we have within us (or strive toward building in ourselves). We need these wild places and creatures to exist for more reasons than most people realize. I hope this image shares that strength with you.

Photo Tip: Photographing wildlife is exciting. It can bring great joy to our lives. Unfortunately, many people get caught up in the moment and don’t respect the animals they want to photograph, taking a “get the shot at all costs” approach. Animals have a hard enough time making a living without people interfering. Study their habits and the natural signals they give. If you are causing them to alter their behaviour, back off. Wait until the opportunity presents itself appropriately. Not only can the animals be harmed by our thoughtless behaviour, you might get what you deserve in the end. Be respectful, revel in the experience, be grateful that you can come back another day and do it again.

Equipment used: Nikon D300, Nikon 200-400 F4 AF VR lens, Nikon 1.4x teleconverter, Gitzo 1325 Carbon Tripod, Really Right Stuff BH-55 Ball Head. No camouflage was used in the making of this image!

Madison River Sunset Panorama, Yellowstone N.P.

After photographing my last sunrise in Grand Teton National Park this Fall, I quickly closed up my camper and headed for Yellowstone. I only had enough time to visit the Madison area for sunset before I started my journey home to Lake Tahoe. Fortunately, a storm rolled in and made my 1/2 day a real treat. After a torrential downpour, the sky began to clear and the last light of day created some peaceful magic.

The expansive nature of Yellowstone has me intrigued. In this scene, the meandering Madison River, complete with a glorious sunset reflection, is set off against the simplicity of Yellowstone’s grassland. The two geysers in the background remind me how unique this environment is. The storm clouds above, complete with sunset light, add a mood and power to the scene.  This new image is a reminder of the tranquility I find through the power of natural experiences. I hope this image enables you to, “Bring the Fine Art of Nature Home”. I am motivated to return this coming Spring. Let me know if you might like to join me.

This image is now available for purchase through the Jon Paul Gallery !

Photo Tip: When the weather gets really bad, be patient and stay out there! Quite often, the most dramatic light exists on the edges of storms. Especially when dealing with an expansive landscape, clouds and reflection can open up the image and add depth and perspective. So, when everyone else runs for cover, put on the Gore-Tex, cover your camera with a plastic bag and wait for the magic.

Equipment: Canham 5×7 metal field camera, Canham 6×17 cm panoramic roll film back, Rodenstock 150mm Sironar-S lens, Gitzo 1325 carbon tripod, Really Right Stuff BH-55 ball head, Fuji Provia 100 transparency film.

Moulton Barn Panorama Black & White

This image, taken along Mormon Row in Grand Teton National Park, has as western a feel as one could ask for. While the image was “nice” in color, I knew it didn’t have that something special that I look for, especially in an iconic scene. The dramatic clouds, mottled light and vintage theme made this an obvious choice for black and white. The wide range of tones from pure white to deep black gave the punch I had envisioned. While it takes some practice to get a feel for tone v.s. color, the results are well worth the effort. Importantly, as a large format photographer, I make all of my choices relative to the final image I envision before clicking the shutter. This is good practice, and helps increase your chances of success. (Don’t have the attitude that you can “fix it” later!)

Photo Tip: Pre-visualize whether the scene you are composing will be strongest in color or black and white. At  that point you can use your judgement as to how to expose for the image, and whether to use different filters to prepare for the processing it may require. (ie-strongly polarizing an image to darken the sky in anticipation of greater contrast against white clouds in a black and white).

Schwabacher's Beaver Pond Reflection

This is one of my favorite landscape images from my recent trip to Grand Teton National Park. I had a morning to myself during my Fall “shoot with the pro” field workshop, so I visited the iconic Schwabacher’s Landing. After the sunrise at the most popular spot fizzled, I wandered around and took advantage of the soft, mottled light that was produced by the encroaching storm clouds just 30 minutes into the day. The low sun at this time of year makes this possible. This beaver pond held a perfect mirror reflection. I was able to include a beaver hut, dramatic clouds , fall color, moody dead trees, and the dramatic peaks in the background. Normally this is a lot to include in one composition, but the reflection helped balance and calm the image. I captured the image on 4×5 inch transparency film, so the detail is amazing. As with most of my images, this composition has a real wow factor, but the viewer will be awed by the subtle details in a large gallery print. Another amazing experience that will endure the ages!

Photo Tip: During Fall and Spring, don’t disregard the soft light one hour after sunrise and one hour before sunset. Especially when combined with dramatic skies in these changing seasons, early and late light can be a nice compliment to colorful compositions. While dramatic alpenglow and sunrise/sunset colors are exciting, warm light can be more subtle and pleasing for fine art images that will hang in someone’s home. Take advantage of the magic hour at these times of year and you may be greatly rewarded!

Equipment: Canham 5×7 Metal Field Camera, 4×5 reducing back, Rodenstock 150mm APO Sironar-S lens, Gitzo 1325 Carbon Tirpod, Really Right Stuff BH-55 ball head, Fuji Velia 100F transparency film. Film scanned on a Hasselblad/Imacon 646 drum scanner.

Red Barn and Pogonip

December brought extremely cold temperatures,  freezing fog and a blanket of frost to the area surrounding Lake Tahoe. Knowing that these extreme conditions can create a special mood for the right composition, I spent three mornings searching within the pogonip for interesting “western” scenes.  I had driven past this traditional red barn hundreds of times, but this is the first image I have composed of the structure.

The frosted trees, pogonip and diffused morning light add an air of history to the scene. I especially liked the way the mountain backdrop disappeared into the mist allowing my imagination to wander. The detail of the tree’s soft shadow on the barn is subtle, but intriguing. I much preferred this “softer” feeling image to the bright contrasty, literal scene I observed the previous morning. An iconic western scene became something special when paired with unique and dramatic natural conditions. Using the panoramic format enabled me to eliminate the clearing sky and retain the intimate feel I desired.

Tips: Given the extreme temperatures (about 5 degrees F) I kept my camera pack in the back of my truck as I explored, eliminating issues like fogging that can occur by taking the camera directly out of a heated vehicle. My camera backpack is padded, so the equipment cools slowly as I explore. In these frigid conditions, I always hold my breath when near the lens. Warm moist air that is breathed out will coat the lens and immediately freeze and will take precious time to thaw. Wiping a frost covered lens can create scratches and damage a modern lenses coating. To protect myself, I was using a new pair of fleece gloves that had pile on the inside, but a smooth weave on the outside. They were thin enough to handle the controls on my bellows camera, but still kept my fingers from becoming frost bitten. Finally, watch your exposure in foggy conditions. This type of scene often requires an exposure compensation of +1/2 to +1 full stop. I usually cross reference my spot metering with an ambient reading. If shooting digital, watch the left side of your histogram.